I have re-watched this episode three times and even now I am not sure that this review can possibly do justice to what I saw on the screen. Yes. The Name of The Doctor was that audacious, that mind blowing, that earth shattering. It rarely happens that the press hype is actually met on a TV show. My imagination always comes up with something better, more interesting. The problem is, people say that their stuff is going to be gamechanging and the term has gotten to seem more than a little bit cliche. I should have known Steven Moffat would pull off something as crazy as this though. I mean, this is the guy who wrote the mind bender that was The Wedding of River Song.
A synopsis for those still confused? The Doctor goes to the one place he must never go, the one place he fears above all; Trenzalore and his grave. But as his friends are kidnapped he has no choice but to journey to the burnt out husk that is his TARDISY tomb and do battle with Doctor Simeon and The Great Intelligence one last time. Potentially mind blowing stuff.

And this time the mind blowing happened in the first five minutes. So I was right, you guys! Well sort of anyway. Clara is fractured throughout time and space. She is also a perfectly ordinary girl. “You know what? Run you clever boy, and remember… me.” I got shivers down my spine. Only, who could possibly have guessed that Moffat would dare to take Clara that far back in time and space. I admit it, the second that the first doctor appeared with Susan I let out a squeal of excited happiness. Christmas had come a good six months early. And then we get another fling with Madame Vastra, Jenny and Strax (spin off, spin off, spin off) and some creepy rhyming couplets;
Do you hear the whispermen
The whispermen are near
If you hear the whispermen then turn away your ear
Do not hear the whispermen
Whatever else you do
For if you hear the whispermen
They’ll stop and look at you.
Can I just say how much I enjoyed the whole seance as a method of getting The Doctor’s friends in one place? Brilliant. Simply brilliant. Jenna Louise Coleman was wonderful in the scene with the candle as she dropped it in fright and disgust. Madame Vastra’s dry tone was also hilarious as she told Clara and the audience that the letter was infused with soporific. And then we had the return of River Song. And Moffat kept on giving because he didn’t do what I feared above all else and retcon the library two parter. I grinned from ear to ear when River declared that she had summoned her flute of champagne, “disgracefully.”
Wait, did I mention the acting? Matt Smith was a revelation this episode. When Clara first tells him of the message, watch Matt’s face. It’s a wonderful moment in an episode full of wonderful moments. And if that doesn’t convince you, what about The Doctor as he finally sees River, the data ghost of his dead wife, and kisses her with all of the passion that their relationship has ignited past, present and – dare I wish it? – future. Their final farewell tore my heart into thousands of shreds. I think I should stop gushing while I’m ahead, but that final ‘sweetie’ and ‘spoilers’ felt like icing on an already delicious cake.
And then there was Madame Vastra and Jenny. Jenny’s “I’m sorry. I’m so, so sorry. I think I’ve been murdered,” was one of the most chilling Who lines we’ve heard in ages. Steven Moffat is good at dialogue. In general, I think that the quality of the dialogue in Who has gone up since he has taken over as showrunner. Who could go past this wise gem of a quote:
Strax: The heart is a relatively simple thing.
Madame Vastra: I have not found it to be so.
Yes, Richard E Grant’s Doctor Simeon did little but pout and sport a stiff upper lip before a swift demise via The Doctor’s bleeding gash of a time line. Yes, this entire finale is a set up for the big 50th in November. Yes, it was a damned cheeky move to insert Clara into The Doctor’s entire existence as a time traveller like that. But THAT kiss. THAT moment when you just knew that the mad man with a box was going to leap in after Clara (presumably causing the TARDIS to explode in s5). AND LOOK. I HAVEN’T EVEN GOTTEN TO THE END YET. JOHN HURT. THEMATIC CONTINUITY.
Clara: Who’s that?
The Doctor: Never mind. Let’s get back.
Clara: Who is he?
The Doctor: He’s me. There’s only me here, that’s the point. Now let’s get back.
Clara: But I never saw that one. I saw all of you. Eleven faces. All of them you.
The Doctor: I said he was me. I never said he was the Doctor.
Clara: But I don’t understand.
The Doctor: My name, my real name, that is not the point. The name I chose is The Doctor. The name you choose, it’s like… it’s like a promise you make. He’s the one who broke the promise. {Clara collapses} Clara? Clara! He is my secret.
The Old Man: What I did, I did without choice.
The Doctor: I know.
The Old Man: In the name of peace and sanity.
The Doctor: But not in the name of the Doctor.
This whole sequence filled my meta minded brain with sheer joy. Because this is where Moffat’s Who has been headed all along. Moffat is interested in the idea of what’s in a name. No one really thought that the Doctor’s name would be a literal reveal, did they? Because if you did, I don’t think you can have been paying much attention. When everyone kept repeating, “Doctor Who?” I never thought that they sought a literal name unless that name revealed more about The Doctor. I always thought, especially after River’s speech in A Good Man Goes to War, that the question was about identity. Who is The Doctor really? What is his essence? What does his story matter? Perfect set up meta for a show’s celebatory 50th!
Look. I’m sorry to regular readers of this blog. I can’t be coherant about this episode. It wasn’t as emotionally rewarding for me as The Pandorica Opens/The Big Bang, but it was certainly as interesting and as challenging and definitely more explosive. Doctor Who canon, much like it was after The Doctor’s Wife, will never be the same again.
The Name of The Doctor: 11/10 inky stars
Next time: See you in November, kiddos, just in time for some Time War angst if I’m not much mistaken. I knew that Journey to the Centre of the TARDIS had more about it than met the eye.
Maureen is addicted to all things speculative fiction, including Doctor Who. She guest blogs for MrsTribble but you can find her at her speculative fiction blog InkAshlings or on Twitter. She also reviews sci fi and fantasy books on Goodreads if you like that kind of thing.